CD1 Keyboard works from various sources 65’51 Jhon, come kisse me now BK81 5’49 Pavan BK16a 4’37 Galliard BK16b 1’26 Pavan Ph[ilippa] Tr[egian] BK60a 5’20 Galliard BK60b 1’47 Ladye Monteagle’s Pavan BK75 3’33 A Ground BK9 3’42 The Queenes Alman BK10 3’15 If my complaintes BK103 (Pipers Galliard) 1’43 Pavan The Earl of Salisbury BK15a 1’47 Galliards BK15b/c 2’55 Susanna fair MBLV50 (123)... Celý popis
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CD1 Keyboard works from various sources 65’51
Jhon, come kisse me now BK81 5’49
Pavan BK16a 4’37
Galliard BK16b 1’26
Pavan Ph[ilippa] Tr[egian] BK60a 5’20
Galliard BK60b 1’47
Ladye Monteagle’s Pavan BK75 3’33
A Ground BK9 3’42
The Queenes Alman BK10 3’15
If my complaintes BK103 (Pipers Galliard) 1’43
Pavan The Earl of Salisbury BK15a 1’47
Galliards BK15b/c 2’55
Susanna fair MBLV50 (123) 2’42
An Alman BK117 1’59
Echo Pavan BK114a 4’21
Galliard BK114b 1’57
Pavan BK76 3’20
Galliard BK77 0’56
The Bells BK38 5’54
Robbin Hood MBV63 5’24
Pavan BK100a 2’13
Galliard BK100b 0’59
Pieter-Jan Belder harpsichord & muselar
Instruments:
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1638) (tr.1, 6, 7, 16-19)
Hans Nieuwenhuizen (2021), mother and child muselar after Ioannes Ruckers (1623) (tr.2-5, 8 & 9)
Gerhard Boogaard (2012), single manual harpsichord after Andreas Ruckers (1637) (tr.10-15, 20-21)
Recording: Spring 2023, Nederlands Hervormde Kerk, Mijnsheerenland, The Netherlands
CD2 Keyboard works from various sources 77’02
A Praeludium BK116 1’27
Ut, re, mi, fa, sol, la BK58 * 3’08
*with Rie Kimura violin
Three French Coranto’s BK21 2’25
O quam gloriosum est regnum BK119 4’42
….Secunda Pars BK120 4’06
Goe from my windoe BK79 4’32
A Horne pype BK39 5’41
Pavana Lachrymae BK54 5’27
Galiarda BK55 (Harding set by Byrd) 2’37
Paven BK73a 2’44
Galiard BK73b 1’30
A Grounde BK43 2’55
Pavion BK23a 4’42
Galliard BK23b 1’34
A Fancy MBLV55 (arr. Tomkins) 3’10
If my complaints or Pypers gal[iard] BK118 2’09
Pavan BK33a 5’07
Galliard BK33b 1’45
Care for thy Soule MBLV52 2’36
Galliardo Mris. Marye Brownlo BK34 2’39
Paven BK72a 4’11
Galliard BK72b 1’31
Parludam BK115 0’55
A grounde BK86 5’16
Pieter-Jan Belder harpsichord & muselar
Instruments:
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1638) (tr.1, 2, 4, 5, 10, 11, 15, 16, 19, 24, 24)
Hans Nieuwenhuizen (2021), mother and child muselar after Ioannes Ruckers (1623) (tr.3, 8, 9, 12, 21, 22)
Gerhard Boogaard (2012), single manual harpsichord after Andreas Ruckers (1637) (tr.6, 7, 13, 14, 17, 18, 20)
Recording: Spring 2023, Nederlands Hervormde Kerk, Mijnsheerenland, The Netherlands
CD3 Keyboard works from various sources 74’14
La Volta BK91 1’26
Pavan BK99a 2’23
Galliard BK99c 1’41
Quadran Pavan BK70a 8’30
Quadran Galliard BK70b 4’15
The Hunt’s up BK40 7’01
Pavana BK4a 2’09
Galliarda BK4b 1’41
Prelude in A minor BK12 (first version) 0’46
Fantasia in A minor BK13 (first version) 14’30
Pavana BK52a 4’28
Galliarda BK52b 1’37
Fantasia in G BK62 7’25
Wolsey’s/Wilson’s Wilde BK37 1’33
Ut mi re BK65 (first version) 6’20
O mistris myne BK83 5’37
The Ghost BK78 2’42
Pieter-Jan Belder harpsichord & virginal
Instruments:
Ioannis(?) Ruckers (1604), spinet virginal from the Accardi collection (tr.1-3)
Cornelis Bom (2003), Italian harpsichord (tr.4-13)
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1638) (tr.14-17)
Recording: 19-20 October 2011, Westvest Church, Schiedam, The Netherlands (tr.9, 10, 13); 26 May & 1 June 2012, Doopsgezinde Gemeente Dordrecht, The Netherlands (tr.1-8, 11-12, 14); 8-9 March 2018, Nederlands Hervormde Kerk, Mijnsheerenland, The Netherlands (tr.15-17)
CD4 Keyboard works from various sources 63’58
Sir John Gray’s Galliard BK104 2’06
Gipseis Round BK80 5’18
Monsieurs Alman BK44 2’34
Malt’s come down BK69 2’14
A Medley BK62 5’39
Pavana Delight BK5a 5’24
Galliarda [Delight] BK5b 1’48
Miserere 3 Parts BK48 (first version) 2’04
Miserere 4 Parts BK49 (first version) 2’23
Callino Casturame BK35 2’02
Pavan Bray BK59a 4’40
Galliarda [Bray] BK59b 1’41
A Gigg BK22 1’08
Prelude BK24 1’06
Pavan BK101 4’41
Corranto BK45 1’18
Fortune BK6 3’59
Alman BK11 1’15
Galliard BK53 1’38
Monsieurs Alman BK87 4’31
Alman BK89 1’35
La Volta (Morley set by Byrd) BK90 1’21
In Nomine BK51 (Parsons, set by Byrd) 3’23
Pieter-Jan Belder harpsichord & muselar
Instruments:
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1638) (tr.1, 2, 6-12, 17-21, 23)
Theo de Haas (1980), muselar after Ruckers (tr. 3-5, 13-16)
Gerhard Boogaard (2012), single manual harpsichord after Andreas Ruckers (1637) (tr.22)
Recording: 2015, Chapel of the Capucin Monastery, Velp, The Netherlands (tr.22); 13-14 November 2017(tr.6-12, 17-21) & 8-9 March 2018 (tr.1-5, 13-16), Nederlands Hervormde Kerk, Mijnsheerenland, The Netherlands
CD5 Organ Works 59’15
Prelude in g minor BK1 0’47
Fantasia in G BK63 5’19
Christe, qui lux [es et dies] BK121 1’04
Fantasia MBLV55 (Byrd arr. Thomas Tomkins) 3’28
In nomine BK51 (Parsons set by Byrd) 3’24
Ut re mi BK65 6’50
Gloria tibi trinitas BK50 2’06
A Ground BK9 4’09
Prelude & Fantasia in A minor BK12&13 8’45
The Queens Alman BK10 3’32
Voluntary for my lady Nevell BK61 4’59
Pavan Lachrymae BK54 (Dowland arr. Byrd) 6’13
Fantasia in G BK62 8’30
Pieter-Jan Belder organ
Albert Kiespenning organ of the Grote Kerk, Wijk bij Duurstede, The Netherlands
Recording: 22-23 October 2022, Grote Kerk, Wijk bij Duurstede, The Netherlands
CD6 Organ Works 51’39
Fantasia A Lesson in Voluntaire in C BK26 7’55
Miserere BK66 1’04
Miserere BK67 1’11
Ut, re, mi, fa, sol, la BK58* 3’27
* with Marijn Valk assistent
Ut, re, mi, fa, sol, la BK64 8’13
A verse of two parts BK28 1’40
A Fancie in D minor BK46 5’32
Salvator Mundi BK68 1’41
Salvator Mundi BK69 1’44
A Voluntarie in C BK27 5’23
Clarifica me BK47 2’03
Clarifica me BK48 1’58
Clarifica me BK49 2’27
Prelude and Fantasia in C BK24&25 7’12
Pieter-Jan Belder organ
Albert Kiespenning organ of the Grote Kerk, Wijk bij Duurstede, The Netherlands
Recording: 22-23 October 2022, Grote Kerk, Wijk bij Duurstede, The Netherlands
CD7 My Ladye Nevells Booke 69’22
My Ladye Nevels Grownde MB57 (DA) 5’32
Qui Passe for my Ladye Nevell MB19 (HG) 3’36
The Marche before the Battell MB93 (AB) 3’43
The Battell MB94 (AB) 12’05
- The souldiers sommons
- The marche of the foote men
- The marche of the horsmen
- The trumpetts
- The Irishe marche
- The bagpipe and the drone
- The flute and the droome
- The marche to the fight
- The retreat
The Galliarde for the Victorie MB95 (AB) 1’44
The Barelye Breake MB92 (GB) 7’57
A Galliards Gygge MB18 (HG) 1’52
The Huntes Upp MB41 (AB) 6’43
Ut Re Mi Fa Sol La MB64 7’52
The firste Pavian MB29 (JR) 4’22
The Galliarde to the same 1’39
The II Pavian MB71 2’36
The Galliarde (to the same) 1’49
The III Pavian MB14 (GB) 4’49
The Galliarde to the same 1’33
Pieter-Jan Belder harpsichord, muselar & virginal
Instruments:
Derek Adlam (1970), muselar after Ioannes Ruckers (1611) (tr.1)
Herwil van Gelder (1997), Venetian harpsichord after Pisaurensis (16th century) (tr.2 & 7)
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1642) (tr.3-5, 8 & 9)
Gerhard Boogaard (2012), single manual harpsichord after Andreas Ruckers (1637) (tr.6, 14 & 15)
Ioannis(?) Ruckers (1604), Spinet virginal from the Accardi collection (tr.10-13)
Recording: 26 May 2012 (tr. 8, 10-13) & 29-30 September 2021, the Netherlands
CD8 My Ldye Nevells Booke 68’27
The IIII Pavian MB30 (DA) 2’48
The Galliarde 1’37
The V Pavian MB31 (AB) 5’10
The Galliarde 1’37
Pavana the VI: Kinbrugh Goodd MB32 (HG) 4’38
The Galliard 1’39
The Seventh Pavian MB74 (JR) 4’09
The Eighte Pavian MB17 (HG) 4’56
The Passinge Mesures Pavan MB2 (AB) 6’06
The Galliarde 4’35
A Voluntarie for my Ladye Nevell MB61 4’51
Will yow walke the woodes soe Wylde MB85 (DA) 4’01
The Maidens Song MB82 (HG) 5’13
A Lesson of Voluntarie MB26 7’23
The Seconde Grownde MB42 (AB) 8’33
Pieter-Jan Belder harpsichord, muselar & virginal
Instruments:
Derek Adlam (1970), muselar after Ioannes Ruckers (1611) (tr.1, 2 & 12)
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1642) (tr.3, 4, 9-11 & 15)
Herwil van Gelder (1997), Venetian harpsichord after Pisaurensis (16th century) (tr.5, 6, 8, 13 &14)
Ioannis(?) Ruckers (1604), Spinet virginal from the Accardi collection (tr.7)
Recording: 26 May 2012 (tr. 8, 10-13) & 29-30 September 2021, the Netherlands
CD9 My Ladye Nevells Booke 63’51
Have with Yow to Walsingame MB8 (AB) 8’28
All in a Garden Grine MB56 (JR) 3’50
Lord Willobies Welcome Home MB7 2’30
The Carmans Whistle MB36 (GB) 5’12
Hughe Ashstons Ground MB20 (DA) 7’16
A Fancie MB25 (AB) 5’30
Sellingers Rownde MB84 (DA) 6’53
Munsers Almaine MB88 (AB) 7’08
The Tenthe Pavian Mr W Peter MB3 (AB) 5’15
The Galliard 1’56
A Fancie MB46 (DA) 5’04
A Voluntarie MB27 (GB) 3’32
Pieter-Jan Belder harpsichord, muselar & virginal
Instruments:
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1642) (tr.1, 8-10)
Ioannis(?) Ruckers (1604), Spinet virginal from the Accardi collection (tr. 2 & 3)
Gerhard Boogaard (2012), single manual harpsichord after Andreas Ruckers (1637) (tr.4 & 12)
Derek Adlam (1970), muselar after Ioannes Ruckers (1611) (tr.5, 7 & 11)
Recording: 26 May 2012 (tr. 8, 10-13) & 29-30 September 2021, the Netherlands
Jhon, come kisse me now BK81 5’49
Pavan BK16a 4’37
Galliard BK16b 1’26
Pavan Ph[ilippa] Tr[egian] BK60a 5’20
Galliard BK60b 1’47
Ladye Monteagle’s Pavan BK75 3’33
A Ground BK9 3’42
The Queenes Alman BK10 3’15
If my complaintes BK103 (Pipers Galliard) 1’43
Pavan The Earl of Salisbury BK15a 1’47
Galliards BK15b/c 2’55
Susanna fair MBLV50 (123) 2’42
An Alman BK117 1’59
Echo Pavan BK114a 4’21
Galliard BK114b 1’57
Pavan BK76 3’20
Galliard BK77 0’56
The Bells BK38 5’54
Robbin Hood MBV63 5’24
Pavan BK100a 2’13
Galliard BK100b 0’59
Pieter-Jan Belder harpsichord & muselar
Instruments:
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1638) (tr.1, 6, 7, 16-19)
Hans Nieuwenhuizen (2021), mother and child muselar after Ioannes Ruckers (1623) (tr.2-5, 8 & 9)
Gerhard Boogaard (2012), single manual harpsichord after Andreas Ruckers (1637) (tr.10-15, 20-21)
Recording: Spring 2023, Nederlands Hervormde Kerk, Mijnsheerenland, The Netherlands
CD2 Keyboard works from various sources 77’02
A Praeludium BK116 1’27
Ut, re, mi, fa, sol, la BK58 * 3’08
*with Rie Kimura violin
Three French Coranto’s BK21 2’25
O quam gloriosum est regnum BK119 4’42
….Secunda Pars BK120 4’06
Goe from my windoe BK79 4’32
A Horne pype BK39 5’41
Pavana Lachrymae BK54 5’27
Galiarda BK55 (Harding set by Byrd) 2’37
Paven BK73a 2’44
Galiard BK73b 1’30
A Grounde BK43 2’55
Pavion BK23a 4’42
Galliard BK23b 1’34
A Fancy MBLV55 (arr. Tomkins) 3’10
If my complaints or Pypers gal[iard] BK118 2’09
Pavan BK33a 5’07
Galliard BK33b 1’45
Care for thy Soule MBLV52 2’36
Galliardo Mris. Marye Brownlo BK34 2’39
Paven BK72a 4’11
Galliard BK72b 1’31
Parludam BK115 0’55
A grounde BK86 5’16
Pieter-Jan Belder harpsichord & muselar
Instruments:
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1638) (tr.1, 2, 4, 5, 10, 11, 15, 16, 19, 24, 24)
Hans Nieuwenhuizen (2021), mother and child muselar after Ioannes Ruckers (1623) (tr.3, 8, 9, 12, 21, 22)
Gerhard Boogaard (2012), single manual harpsichord after Andreas Ruckers (1637) (tr.6, 7, 13, 14, 17, 18, 20)
Recording: Spring 2023, Nederlands Hervormde Kerk, Mijnsheerenland, The Netherlands
CD3 Keyboard works from various sources 74’14
La Volta BK91 1’26
Pavan BK99a 2’23
Galliard BK99c 1’41
Quadran Pavan BK70a 8’30
Quadran Galliard BK70b 4’15
The Hunt’s up BK40 7’01
Pavana BK4a 2’09
Galliarda BK4b 1’41
Prelude in A minor BK12 (first version) 0’46
Fantasia in A minor BK13 (first version) 14’30
Pavana BK52a 4’28
Galliarda BK52b 1’37
Fantasia in G BK62 7’25
Wolsey’s/Wilson’s Wilde BK37 1’33
Ut mi re BK65 (first version) 6’20
O mistris myne BK83 5’37
The Ghost BK78 2’42
Pieter-Jan Belder harpsichord & virginal
Instruments:
Ioannis(?) Ruckers (1604), spinet virginal from the Accardi collection (tr.1-3)
Cornelis Bom (2003), Italian harpsichord (tr.4-13)
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1638) (tr.14-17)
Recording: 19-20 October 2011, Westvest Church, Schiedam, The Netherlands (tr.9, 10, 13); 26 May & 1 June 2012, Doopsgezinde Gemeente Dordrecht, The Netherlands (tr.1-8, 11-12, 14); 8-9 March 2018, Nederlands Hervormde Kerk, Mijnsheerenland, The Netherlands (tr.15-17)
CD4 Keyboard works from various sources 63’58
Sir John Gray’s Galliard BK104 2’06
Gipseis Round BK80 5’18
Monsieurs Alman BK44 2’34
Malt’s come down BK69 2’14
A Medley BK62 5’39
Pavana Delight BK5a 5’24
Galliarda [Delight] BK5b 1’48
Miserere 3 Parts BK48 (first version) 2’04
Miserere 4 Parts BK49 (first version) 2’23
Callino Casturame BK35 2’02
Pavan Bray BK59a 4’40
Galliarda [Bray] BK59b 1’41
A Gigg BK22 1’08
Prelude BK24 1’06
Pavan BK101 4’41
Corranto BK45 1’18
Fortune BK6 3’59
Alman BK11 1’15
Galliard BK53 1’38
Monsieurs Alman BK87 4’31
Alman BK89 1’35
La Volta (Morley set by Byrd) BK90 1’21
In Nomine BK51 (Parsons, set by Byrd) 3’23
Pieter-Jan Belder harpsichord & muselar
Instruments:
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1638) (tr.1, 2, 6-12, 17-21, 23)
Theo de Haas (1980), muselar after Ruckers (tr. 3-5, 13-16)
Gerhard Boogaard (2012), single manual harpsichord after Andreas Ruckers (1637) (tr.22)
Recording: 2015, Chapel of the Capucin Monastery, Velp, The Netherlands (tr.22); 13-14 November 2017(tr.6-12, 17-21) & 8-9 March 2018 (tr.1-5, 13-16), Nederlands Hervormde Kerk, Mijnsheerenland, The Netherlands
CD5 Organ Works 59’15
Prelude in g minor BK1 0’47
Fantasia in G BK63 5’19
Christe, qui lux [es et dies] BK121 1’04
Fantasia MBLV55 (Byrd arr. Thomas Tomkins) 3’28
In nomine BK51 (Parsons set by Byrd) 3’24
Ut re mi BK65 6’50
Gloria tibi trinitas BK50 2’06
A Ground BK9 4’09
Prelude & Fantasia in A minor BK12&13 8’45
The Queens Alman BK10 3’32
Voluntary for my lady Nevell BK61 4’59
Pavan Lachrymae BK54 (Dowland arr. Byrd) 6’13
Fantasia in G BK62 8’30
Pieter-Jan Belder organ
Albert Kiespenning organ of the Grote Kerk, Wijk bij Duurstede, The Netherlands
Recording: 22-23 October 2022, Grote Kerk, Wijk bij Duurstede, The Netherlands
CD6 Organ Works 51’39
Fantasia A Lesson in Voluntaire in C BK26 7’55
Miserere BK66 1’04
Miserere BK67 1’11
Ut, re, mi, fa, sol, la BK58* 3’27
* with Marijn Valk assistent
Ut, re, mi, fa, sol, la BK64 8’13
A verse of two parts BK28 1’40
A Fancie in D minor BK46 5’32
Salvator Mundi BK68 1’41
Salvator Mundi BK69 1’44
A Voluntarie in C BK27 5’23
Clarifica me BK47 2’03
Clarifica me BK48 1’58
Clarifica me BK49 2’27
Prelude and Fantasia in C BK24&25 7’12
Pieter-Jan Belder organ
Albert Kiespenning organ of the Grote Kerk, Wijk bij Duurstede, The Netherlands
Recording: 22-23 October 2022, Grote Kerk, Wijk bij Duurstede, The Netherlands
CD7 My Ladye Nevells Booke 69’22
My Ladye Nevels Grownde MB57 (DA) 5’32
Qui Passe for my Ladye Nevell MB19 (HG) 3’36
The Marche before the Battell MB93 (AB) 3’43
The Battell MB94 (AB) 12’05
- The souldiers sommons
- The marche of the foote men
- The marche of the horsmen
- The trumpetts
- The Irishe marche
- The bagpipe and the drone
- The flute and the droome
- The marche to the fight
- The retreat
The Galliarde for the Victorie MB95 (AB) 1’44
The Barelye Breake MB92 (GB) 7’57
A Galliards Gygge MB18 (HG) 1’52
The Huntes Upp MB41 (AB) 6’43
Ut Re Mi Fa Sol La MB64 7’52
The firste Pavian MB29 (JR) 4’22
The Galliarde to the same 1’39
The II Pavian MB71 2’36
The Galliarde (to the same) 1’49
The III Pavian MB14 (GB) 4’49
The Galliarde to the same 1’33
Pieter-Jan Belder harpsichord, muselar & virginal
Instruments:
Derek Adlam (1970), muselar after Ioannes Ruckers (1611) (tr.1)
Herwil van Gelder (1997), Venetian harpsichord after Pisaurensis (16th century) (tr.2 & 7)
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1642) (tr.3-5, 8 & 9)
Gerhard Boogaard (2012), single manual harpsichord after Andreas Ruckers (1637) (tr.6, 14 & 15)
Ioannis(?) Ruckers (1604), Spinet virginal from the Accardi collection (tr.10-13)
Recording: 26 May 2012 (tr. 8, 10-13) & 29-30 September 2021, the Netherlands
CD8 My Ldye Nevells Booke 68’27
The IIII Pavian MB30 (DA) 2’48
The Galliarde 1’37
The V Pavian MB31 (AB) 5’10
The Galliarde 1’37
Pavana the VI: Kinbrugh Goodd MB32 (HG) 4’38
The Galliard 1’39
The Seventh Pavian MB74 (JR) 4’09
The Eighte Pavian MB17 (HG) 4’56
The Passinge Mesures Pavan MB2 (AB) 6’06
The Galliarde 4’35
A Voluntarie for my Ladye Nevell MB61 4’51
Will yow walke the woodes soe Wylde MB85 (DA) 4’01
The Maidens Song MB82 (HG) 5’13
A Lesson of Voluntarie MB26 7’23
The Seconde Grownde MB42 (AB) 8’33
Pieter-Jan Belder harpsichord, muselar & virginal
Instruments:
Derek Adlam (1970), muselar after Ioannes Ruckers (1611) (tr.1, 2 & 12)
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1642) (tr.3, 4, 9-11 & 15)
Herwil van Gelder (1997), Venetian harpsichord after Pisaurensis (16th century) (tr.5, 6, 8, 13 &14)
Ioannis(?) Ruckers (1604), Spinet virginal from the Accardi collection (tr.7)
Recording: 26 May 2012 (tr. 8, 10-13) & 29-30 September 2021, the Netherlands
CD9 My Ladye Nevells Booke 63’51
Have with Yow to Walsingame MB8 (AB) 8’28
All in a Garden Grine MB56 (JR) 3’50
Lord Willobies Welcome Home MB7 2’30
The Carmans Whistle MB36 (GB) 5’12
Hughe Ashstons Ground MB20 (DA) 7’16
A Fancie MB25 (AB) 5’30
Sellingers Rownde MB84 (DA) 6’53
Munsers Almaine MB88 (AB) 7’08
The Tenthe Pavian Mr W Peter MB3 (AB) 5’15
The Galliard 1’56
A Fancie MB46 (DA) 5’04
A Voluntarie MB27 (GB) 3’32
Pieter-Jan Belder harpsichord, muselar & virginal
Instruments:
Adlam Burnett (1980), double manual harpsichord after Ioannes Ruckers (1642) (tr.1, 8-10)
Ioannis(?) Ruckers (1604), Spinet virginal from the Accardi collection (tr. 2 & 3)
Gerhard Boogaard (2012), single manual harpsichord after Andreas Ruckers (1637) (tr.4 & 12)
Derek Adlam (1970), muselar after Ioannes Ruckers (1611) (tr.5, 7 & 11)
Recording: 26 May 2012 (tr. 8, 10-13) & 29-30 September 2021, the Netherlands
Parametry
| Vydavatelství | BRILLIANT CLASSICS |
